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Monday, November 18, 2019

What's your meaning of life?

Welcome to the second unit of the senior humanities class "Journalism." In this unit, called "photography." we explored the photographic side of journalism. We spent a lot of time looking at influential photographs. We discussed how these photos influenced the public and how we take photos today. One of my favorite assignments was when we picked one photograph from each decade of the 20th century. I really enjoyed looking through photographs of the past century. It was interesting to see the historical events captured in influential photographs. For this unit's field experience, we went to Columbia College to sit in on an introductory journalism class. We were able to learn more about journalism while getting to see what a college class looks like and feels like. We also participated in Chicago Ideas Week. For this action project, we had to interview someone about what they thought the meaning of life is. I had some trouble trying to figure out who I should interview, but the simplicity of asking the person I spend my time with made the most sense insightful.

Day Dreaming a Meaning

GA, "run", 2019

"We gaze in what seems to be important at that moment, what passes through your life is a choice of what you practice.” In response to my lingering questioning of life Gabori Partee had curiously sparked several more questions through our conversation as we sat on a stoop staring at the trees. I had asked Gabori what specifically seems to be holding meaning in a moment as I was curious as to what is it the dictates substance in his life. I saw the frustration in his speech as he ironically concludes by saying how It becomes increasingly too difficult to come up with life’s ultimate lesson because it depends on how that lesson reveals suitable to your life at that moment. The lesson that we might think applies to our life varies because of all the different challenges that we have currently and the ones that are upcoming in life. It then became clear to me that Gabori is one to hold true through thinking that living in the present is what sets a person's future. As I continued to question I had asked what is it that dictates one's “ultimate lesson” in which he responded by saying it's like a mental game of patience and acceptance. I then paused by taking in on what he said as I felt like it deeply resided in my life as well. As the sun began to set we headed towards the river where he then questioned, “ Would one want to look back on their life and think that they did not accomplish all the things that he or she had hoped or wish that things had turned out differently? This just means that you have not fulfilled all the tremendous things life brings.” As he took a moment to recollect his thoughts I proceeded to ask if he is one to hold regrets. Very confidently he remarked on regrets not being existent as it is what builds your life to construct on everlasting change and practice by the moments. He had then brought up how “patience is underrated as it is easier to overcome for a human than acceptance of one’s situation or state. Therefore, having a meaningful life establishes life’s greatest lesson.” It was evident Gabori had sensed in what a life with meaning looks like so I had questioned him on how a life without meaning looks like. He voiced that, ”such as death, fear, and aging, which are all elements to having a meaningful life. So many people walk around with a meaningless life. They seem half-asleep, even when they're busy doing things they think are important. This is because they're chasing the wrong things. The way you get meaning into your life is to devote yourself to loving others, devote yourself to your community around you, and devote yourself to creating something that gives you purpose and meaning." Gabori’s answer unclouded the conclusion of what it means to have meaning, it was clear to him that in order to find life looking in would never be the solution to that never-ending question of life as it is important to see yourself in others and your surroundings in order to see what grounds you. He frustratingly points out, “ If people could apply this approach to their own life, things would be better for all of us but some people are too devoted to themselves that they cannot find their purpose in life.” As the scene began to get dark our conversation took a turn of its own as we discussed how death plays a big part in it too. Gabori explains how preparation and acceptance illustrate the importance of dealing with the fact that we all are going to die at some point. “Everyone knows they’re going to die, but nobody believes it. If people accepted that they are going to die, people would do things much differently. Knowing that you could die at any time forces one to really appreciate life and the people in their life.” As it becomes obscure into a paradox of how one thinks life is meant he ended our conversation with, “Once you learn how to die, you learn how to live.” Taking in moments of silence I then felt as if I was ready to capture the image. I had taken my image with my DSLR camera so that I will be able to have the most control over the aperture, shutter speed, and the overall composition. As I noticed outside had gotten darker I immediately knew I needed to change my settings so that I will be able to capture him with as much light as I can manipulate. I set my settings to 800 on exposure so that I can overall brighten up the frame without using to much grain, the shutter speed had been set to 200 frames per second so I can capture a cleaner motion picture, and lastly the aperture was set to f 2.8 so that I can have as much light come in as well. Now that I was ready to capture my shot I had asked Gabori in the count of 3 to run pass me so that I can capture a moving image. Luckily on the first try, I was able to obtain the image we had both wanted. Overall I was more than happy as to how my image and my interview had gone and felt as if was a great way for me to combine something I love into my learning.

Saturday, November 16, 2019

Greening the Screen

This is the second and last unit in my senior STEAM course Economics. In this unit, we looked more in-depth about thinking like an economist. What led us to our internal portion of our investigation was a book by Kate Raworth titled, "Doughnut Economics- 7 ways to think like a 21st-century economist". In order to tackle the 7 parts of this book we paired in two and prepared a mini-lesson presentation for our peers. The importance of this was to understand the book's proposals in bettering the economy while saving the eco-system. For the external portion of our course, we visited We Work where we then met up with Rheaply. We had the opportunity to talk to the CEO and team members of this company where we learned how their business is innovating a circular economy by sharing professionals resources inside their industry. With the knowledge a
nd experience we gathered up we then took action into our learning by thinking how do we view the economic world. I decided to have my focus be the sustainability in film production. By taking Raworths lesson of a closed-loop economic system I am proposing for this model to be imposed in the film industry.
Greening The Screen








GA, "sustainable filmmaking", 2019
   As we imagine ourselves creating a story in action our mind immediately goes to wanting the best location, costume design, storyboard, equipment, etc. Although in pre-production, production, and post-production is meticulous in thinking about whom and where our sponsors and resources are coming from, we still tend to lose our focus in the waste that gets made behind the glamour. Sustainable film production isn't a new topic thankfully but nevertheless is it enforced or talked among our culture. One of Raworth's passage speaks on a circular economy. A circular economy works in eliminating waste and the production of it by ways of sharing, repairing, refurbishing, and recycling in the results of having a decrease in pollution and carbon emissions and an overall balanced community. Although this isn't an idea that raises surprised heads it still raises questions as to how this can be infiltrated in a working society. This is the same question Raworth asks us as she states, "the job of today's economist is to figure out what kind of finance systems, regulations, and government support is needed to make that happen because the design will already do it but the finances, government, and business need to realign with redesign meaning that an economist job is to figure out how do you design the institutions to make this possible." This exact idea of thinking the solutions are already set for us but placing ways we can have this be a requirement in our growth as individuals, business owners, and community builders is what influenced me to think of this in a field of film. Filmmaking becomes scary when data shows that the making of a big-budget blockbuster can generate 3000 tonnes of C02 and one hour of tv production generates 9 tonnes of C02. This data puts you at a halt when you closely look at the quick changes that can be practiced within these film studios. My model focuses on the benefit of sustainable production. The amount of money that can be saved by reducing set construction by 20 percent and then reusing 25 percent of the material could save about $20,500. This being just one form of the bigger solution comes from turning accessibility to credibility. On our FE we spoke to Rheaply where we discussed how they use a circular economy module in working with the businesses. This led to the relationship between film studios and how much more of a closed net it can become if transparency was set in a way that was accessible for them. One of the team members that we spoke to at Rheaply spoke on how creating a platform that allows businesses to be part of the process allows Rheaply to gain credibility and allows the business to reduce waste through partnerships in their community. Although America is not confined to this type of model... yet, this is when we have organizations like the British Academy of Film and Television Arts to learn from. The BAFTA encourages sustainable production through a selection of 12 of the U.K.’s largest production companies. Consequently, the Academy has its own carbon calculator and a nonprofit organization named Media Greenhouse that promotes sustainable production practices in the industry. This form of placing value in waste reducement is what sets us up to want to meet the standards. Fortunately, when thinking of cinematography as a worldwide language we have a grand hope that America will to learn from studios like the UK and become a closed net community.

Cited Works
- “News.” Sustainability Could Play Leading Role in the Film Industry – Green Production Guide, https://www.greenproductionguide.com/sustainability-could-play-leading-role-in-the-film-industry/.

Voice of the Century

The third and last unit of my Senior Humanities course News coverage. In this unit, Sound, we learn all around sound news coverage. We tuned in to diverse podcasts and inquired about the voices of the century. This was an task where we had to choose a voice from each decade of the 20th century that speaks to what happened in that time period. We did comparative assignments. I truly preferred this task. It was a cool way to encounter sound from history. For our Field Encounter this unit, we went to Roosevelt College to see a photography display around worker detainment centers. This FE would have lined up superior with our photography unit, but there was sound within the show. For this action project, we had to form a podcast profiling and famous or influential voice. I had a difficult time considering of who to profile, but when I thought of powerful voices I knew I had to do Michael Jackson.

Tune In:




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“When we think of Michael Jackson, we think of his high-pitched shrieks, twirls, moonwalks, and impactful songs that changed music forever. His mark on the industry alone is enough to make him a legend — but that’s not all people remember him for. One of the most significant ways Michael Jackson influenced the world was through global culture. The music legend wasn’t just famous in the United States. He was famous all over the world, Through his influence, he was able to bring a sense of connection — He envisioned the world coming together in peace and harmony and created music that unified.Jackson's music took root in R&B, pop and soul. His play on different mediums and pop culture had gravitated all kinds of people to take a listen and tune in. These are some voices captured by the love of Michael Jackson”

“There are so many songs out there that I feel like are inspirational but one of them I would say Man in the Mirror because that one really represents wanting to make a change and that change has to start with yourself before letting that out towards everybody else. I listened to him a lot when I was younger but one of the songs I remember listening with my brother was leave me alone, we used to always re-watch that video over and over again. I don’t really know why but I just always remember him being someone I listen to to this day.”

“ Just like the youth gets impacted by the voice of Michael Jackson lets not forget about the old soul who grew up listening to Michael Jackson”

“My favorite song is Billie Jean, I like the music of that song. My first time when I listened to was when I was in high school. Now that I am older and in my early 50’s and sometimes when i feel tired in the job I listen to that song and I get more energy because of the music makes me remember my young age and gives me so much energy to finish my job”

As it seems to be Michael Jackson gave life to many people and that is why he is one of the most influential voices of the century.”